Revista ZUM 17

Eyes of blood

Hélio Menezes & Marc Ferrez

The story of Marc Ferrez is intertwined with the history of photography in Brazil. Born in Rio de Janeiro in 1843, the son of a sculptor, Ferrez was orphaned when he was seven years old and went to live in France. When he returned to Brazil, he started working at the photographic studio Casa Leuzinger, […]

Revista ZUM 14

Everyday life on the hill

Ana Paula Orlandi & Afonso Pimenta

Afonso Pimenta’s portraits of the inhabitants of the Aglomerado da Serra community in Belo Horizonte, Minas Gerais, taken in the 1980s fill a gap in the recent visual history of Brazil, a period when photography was still a privilege of the few. Now 64 years old, Afonso Adriano Pimenta has done a bit of everything. […]

Revista ZUM 17

Unlearning the origins of photography

Ariella Azoulay

Imagine that the origins of photography go back to 1492. What could this mean? First and foremost, that we should unlearn the origins of photography as framed by those who were crowned its inventors and other private and state entrepreneurs, as well as its association with a technology that can be reduced to discrete devices […]

Revista ZUM 16

The spam of the earth: withdrawal of representation

Hito Steyerl

Image spam created by Giselle Beiguelman Dense clusters of radio waves leave our planet every second. Our letters and snapshots, intimate and official communications, TV broadcasts and text messages drift away from earth in rings, a tectonic architecture of the desires and fears of our times [1]. In a few hundred thousand years, extraterrestrial forms […]

Revista ZUM 16

Killed negatives

Inês Costa

When thinking of American documentary photography of the 1930s, images such as Dorothea Lange’s Migrant Mother (1936) or Walker Evans’s portrait of Allie Mae Burroughs titled Alabama Tenant Farmer Wife (1936) immediately come to mind. Symbols of the migrant workers’ struggle during the Great Depression in America, the two works represent a crucial moment for […]

Revista ZUM 15

The amazonian man

Daniela Labra & Éder Oliveira

The dark-eyed young man seems exhausted. “Caboclo”, of mixed native Brazilian and white descent, he has the toughened look and posture of a fragile body. These subjects, anonymous and of a similar physical type, are seen by society as outcasts and are the protagonists of the paintings of Éder Oliveira. Born in Timboteua, a town […]

Revista ZUM 14

An exercise in perspective

Laura Erber & Anna Bella Geiger

The interweaving of video and photography in performance art in the 1970s contributed to the debate on identity, gender and the body, and brought to the fore works by female artists. In 1974, American theorist Rosalind Krauss proposed the psychoanalytical hypothesis that the speculative potential of video also includes the possibility of autoerotic exploitation. In […]

Revista ZUM 14

Beyond the exotic

A traveller who hated travelling, Claude Lévi-Strauss begins Tristes tropiques (1955) by ironizing the importance that is usually given to banal passages in explorers’ stories. He follows this with acidic comments about the heat of boats, children and beetroots. The tuber is used as a metaphor to represent the massification of 20th century civilizations. “Mankind […]