{"id":52845,"date":"2023-12-04T17:00:27","date_gmt":"2023-12-04T20:00:27","guid":{"rendered":"https:\/\/revistazum.com.br\/uncategorized\/hora-grande\/"},"modified":"2024-05-07T15:08:40","modified_gmt":"2024-05-07T18:08:40","slug":"hora-grande","status":"publish","type":"post","link":"https:\/\/revistazum.com.br\/en\/revista-zum-25-en\/hora-grande\/","title":{"rendered":"The great time"},"content":{"rendered":"\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><a href=\"https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2023\/12\/GE_VIANA_007.png?ssl=1\" title=\"\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"561\" height=\"1024\" src=\"https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2023\/12\/GE_VIANA_007.png?resize=561%2C1024&#038;ssl=1\" alt=\"\" class=\"wp-image-51860\" srcset=\"https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2023\/12\/GE_VIANA_007.png?resize=561%2C1024&amp;ssl=1 561w, https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2023\/12\/GE_VIANA_007.png?resize=164%2C300&amp;ssl=1 164w, https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2023\/12\/GE_VIANA_007.png?w=657&amp;ssl=1 657w\" sizes=\"auto, (max-width: 561px) 100vw, 561px\" \/><\/a><\/figure><\/div>\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2023\/12\/GE_VIANA_004.png?ssl=1\" title=\"\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"735\" height=\"1024\" src=\"https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2023\/12\/GE_VIANA_004.png?resize=735%2C1024&#038;ssl=1\" alt=\"\" class=\"wp-image-51854\" srcset=\"https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2023\/12\/GE_VIANA_004.png?resize=735%2C1024&amp;ssl=1 735w, https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2023\/12\/GE_VIANA_004.png?resize=215%2C300&amp;ssl=1 215w, https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2023\/12\/GE_VIANA_004.png?resize=768%2C1070&amp;ssl=1 768w, https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2023\/12\/GE_VIANA_004.png?w=861&amp;ssl=1 861w\" sizes=\"auto, (max-width: 735px) 100vw, 735px\" data-id=\"51854\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2023\/12\/GE_VIANA_002.png?ssl=1\" title=\"\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"803\" height=\"1024\" src=\"https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2023\/12\/GE_VIANA_002.png?resize=803%2C1024&#038;ssl=1\" alt=\"\" class=\"wp-image-51850\" srcset=\"https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2023\/12\/GE_VIANA_002.png?resize=803%2C1024&amp;ssl=1 803w, https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2023\/12\/GE_VIANA_002.png?resize=235%2C300&amp;ssl=1 235w, https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2023\/12\/GE_VIANA_002.png?resize=768%2C979&amp;ssl=1 768w, https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2023\/12\/GE_VIANA_002.png?w=941&amp;ssl=1 941w\" sizes=\"auto, (max-width: 803px) 100vw, 803px\" data-id=\"51850\" \/><\/a><\/figure>\n<\/figure>\n\n\n\n<p><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><a href=\"https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2023\/12\/GE_VIANA_006.png?ssl=1\" title=\"\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"1001\" height=\"1024\" src=\"https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2023\/12\/GE_VIANA_006.png?resize=1001%2C1024&#038;ssl=1\" alt=\"\" class=\"wp-image-51858\" srcset=\"https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2023\/12\/GE_VIANA_006.png?resize=1001%2C1024&amp;ssl=1 1001w, https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2023\/12\/GE_VIANA_006.png?resize=293%2C300&amp;ssl=1 293w, https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2023\/12\/GE_VIANA_006.png?resize=768%2C786&amp;ssl=1 768w, https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2023\/12\/GE_VIANA_006.png?w=1173&amp;ssl=1 1173w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-id=\"51850\" \/><\/a><\/figure><\/div>\n\n\n<p><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><a href=\"https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2023\/12\/GE_VIANA_009.png?ssl=1\" title=\"\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"912\" src=\"https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2023\/12\/GE_VIANA_009.png?resize=1024%2C912&#038;ssl=1\" alt=\"\" class=\"wp-image-51864\" srcset=\"https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2023\/12\/GE_VIANA_009.png?resize=1024%2C912&amp;ssl=1 1024w, https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2023\/12\/GE_VIANA_009.png?resize=300%2C267&amp;ssl=1 300w, https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2023\/12\/GE_VIANA_009.png?resize=768%2C684&amp;ssl=1 768w, https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2023\/12\/GE_VIANA_009.png?w=1200&amp;ssl=1 1200w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-id=\"51850\" \/><\/a><\/figure><\/div>\n\n\n<p><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><a href=\"https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2023\/12\/GE_VIANA_012.png?ssl=1\" title=\"\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"858\" src=\"https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2023\/12\/GE_VIANA_012.png?resize=1024%2C858&#038;ssl=1\" alt=\"\" class=\"wp-image-51870\" srcset=\"https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2023\/12\/GE_VIANA_012.png?resize=1024%2C858&amp;ssl=1 1024w, https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2023\/12\/GE_VIANA_012.png?resize=300%2C252&amp;ssl=1 300w, https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2023\/12\/GE_VIANA_012.png?resize=768%2C644&amp;ssl=1 768w, https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2023\/12\/GE_VIANA_012.png?w=1200&amp;ssl=1 1200w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-id=\"51850\" \/><\/a><\/figure><\/div>\n\n\n<p><\/p>\n\n\n\n<div class=\"wp-block-jetpack-slideshow aligncenter\" data-effect=\"slide\"><div class=\"wp-block-jetpack-slideshow_container swiper-container\"><ul class=\"wp-block-jetpack-slideshow_swiper-wrapper swiper-wrapper\"><li class=\"wp-block-jetpack-slideshow_slide swiper-slide\"><figure><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"759\" alt=\"\" class=\"wp-block-jetpack-slideshow_image wp-image-51862\" data-id=\"51862\" src=\"https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2023\/12\/GE_VIANA_008.png?resize=1024%2C759&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2023\/12\/GE_VIANA_008.png?resize=1024%2C759&amp;ssl=1 1024w, https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2023\/12\/GE_VIANA_008.png?resize=300%2C223&amp;ssl=1 300w, https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2023\/12\/GE_VIANA_008.png?resize=768%2C570&amp;ssl=1 768w, https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2023\/12\/GE_VIANA_008.png?w=1200&amp;ssl=1 1200w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><\/figure><\/li><li class=\"wp-block-jetpack-slideshow_slide swiper-slide\"><figure><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"835\" alt=\"\" class=\"wp-block-jetpack-slideshow_image wp-image-51872\" data-id=\"51872\" src=\"https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2023\/12\/GE_VIANA_013.png?resize=1024%2C835&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2023\/12\/GE_VIANA_013.png?resize=1024%2C835&amp;ssl=1 1024w, https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2023\/12\/GE_VIANA_013.png?resize=300%2C245&amp;ssl=1 300w, https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2023\/12\/GE_VIANA_013.png?resize=768%2C627&amp;ssl=1 768w, https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2023\/12\/GE_VIANA_013.png?w=1200&amp;ssl=1 1200w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><\/figure><\/li><\/ul><a class=\"wp-block-jetpack-slideshow_button-prev swiper-button-prev swiper-button-white\" role=\"button\"><\/a><a class=\"wp-block-jetpack-slideshow_button-next swiper-button-next swiper-button-white\" role=\"button\"><\/a><a aria-label=\"Pause Slideshow\" class=\"wp-block-jetpack-slideshow_button-pause\" role=\"button\"><\/a><div class=\"wp-block-jetpack-slideshow_pagination swiper-pagination swiper-pagination-white\"><\/div><\/div><\/div>\n\n\n\n<p><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><a href=\"https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2023\/12\/GE_VIANA_011.png?ssl=1\" title=\"\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"815\" src=\"https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2023\/12\/GE_VIANA_011.png?resize=1024%2C815&#038;ssl=1\" alt=\"\" class=\"wp-image-51868\" srcset=\"https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2023\/12\/GE_VIANA_011.png?resize=1024%2C815&amp;ssl=1 1024w, https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2023\/12\/GE_VIANA_011.png?resize=300%2C239&amp;ssl=1 300w, https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2023\/12\/GE_VIANA_011.png?resize=768%2C611&amp;ssl=1 768w, https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2023\/12\/GE_VIANA_011.png?w=1200&amp;ssl=1 1200w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-id=\"51850\" \/><\/a><\/figure><\/div>\n\n\n<p><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><a href=\"https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2023\/12\/GE_VIANA_005.png?ssl=1\" title=\"\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"827\" src=\"https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2023\/12\/GE_VIANA_005.png?resize=1024%2C827&#038;ssl=1\" alt=\"\" class=\"wp-image-51856\" srcset=\"https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2023\/12\/GE_VIANA_005.png?resize=1024%2C827&amp;ssl=1 1024w, https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2023\/12\/GE_VIANA_005.png?resize=300%2C242&amp;ssl=1 300w, https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2023\/12\/GE_VIANA_005.png?resize=768%2C620&amp;ssl=1 768w, https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2023\/12\/GE_VIANA_005.png?w=1200&amp;ssl=1 1200w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-id=\"51850\" \/><\/a><\/figure><\/div>\n\n\n<p><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><a href=\"https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2023\/12\/GE_VIANA_001.png?ssl=1\" title=\"\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"554\" height=\"1024\" src=\"https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2023\/12\/GE_VIANA_001.png?resize=554%2C1024&#038;ssl=1\" alt=\"\" class=\"wp-image-51846\" srcset=\"https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2023\/12\/GE_VIANA_001.png?resize=554%2C1024&amp;ssl=1 554w, https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2023\/12\/GE_VIANA_001.png?resize=162%2C300&amp;ssl=1 162w, https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2023\/12\/GE_VIANA_001.png?w=649&amp;ssl=1 649w\" sizes=\"auto, (max-width: 554px) 100vw, 554px\" data-id=\"51850\" \/><\/a><\/figure><\/div>\n\n\n<p><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><a href=\"https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2023\/12\/GE_VIANA_010.png?ssl=1\" title=\"\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"821\" src=\"https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2023\/12\/GE_VIANA_010.png?resize=1024%2C821&#038;ssl=1\" alt=\"\" class=\"wp-image-51866\" srcset=\"https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2023\/12\/GE_VIANA_010.png?resize=1024%2C821&amp;ssl=1 1024w, https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2023\/12\/GE_VIANA_010.png?resize=300%2C241&amp;ssl=1 300w, https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2023\/12\/GE_VIANA_010.png?resize=768%2C616&amp;ssl=1 768w, https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2023\/12\/GE_VIANA_010.png?w=1200&amp;ssl=1 1200w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-id=\"51850\" \/><\/a><\/figure><\/div>\n\n\n<p><\/p>\n\n\n\n<p><em>Details of the jewels on the fingers, nails are spear tips. Closed fists clasp on the waist asking for equality. Let the high point be a dimension of energy favorable to us to break down and bring down greedy rockets. They do not go up, they turn into iron embers. At the great time they kneel before the candles and continue; the force of the forest enters the communication. &#8211; G\u00ea Viana<\/em><\/p>\n\n\n\n<p>To look at an image is to walk around an island. But <em>Hora Grande<\/em> [<em>The great time<\/em>] (2020) describes a peninsula: Tapuitapera, the original name of Alc\u00e2ntara, in collages carved by G\u00ea Viana\u2019s machete, based on photographs taken between 1939 and 1986 along the route between the river mouth, the islands and the continental part of the territory.<\/p>\n\n\n\n<p>The accumulation of different times and textures in the artist\u2019s work is an extension to the experience of life in the quilombo [hidden and fortified place where slaves escaped from captivity were sheltered]. The sea foam of Cum\u00e3, the series of collages shows, in a dive, the good way of life in this village.<\/p>\n\n\n\n<p>In Maranh\u00e3o, we call \u201cbranches\u201d the paths, the secondary roads, usually made from dirt or crushed stone, which interlink the communities from within. The collages work to show us this quilombo by means of a new document. Distressing the archival images with saltpeter, Viana transforms photographs from the collection of museologist Julio Abe, obtained from panels of the exhibition <em>Museu de Rua de Alc\u00e2ntara<\/em>, [Alc\u00e2ntara\u2019s Street Museum], 1986, eaten away by termites, into branches connecting different times. <em>Hora Grande<\/em> is an imagination of the quilombos, a territory that has historically resisted destruction.<\/p>\n\n\n\n<p>The installation of the Alc\u00e2ntara Space Center (CLA) in the 1980s generated a process of brutal violence in the lands of the black population. In a criminal process, the lands and sacred places of the quilombolas were expropriated and their direct access to the coast denied \u2013 in short, the possibilities of life arranged according to the typical intelligence of the quilombos were removed. The ongoing genocide and ecocide, with the possibility of expanding the area of the CLA, stem from an extensive predation movement. Turning back in time to see further \u2013 a possibility triggered by the collage \u2013 the advance of the CLA on the territory can be understood as part of an ancient history of killings.<\/p>\n\n\n\n<p>In the map of the \u201c<em>Todo Maritimo da Terra de Santa Cruz<\/em>\u201d [all the maritime area of the Santa Cruz land], from 1640, the location of some Tapuia villages are identified. Tapuitapera, one of the largest Tupinamb\u00e1 villages, according to the records of the time of contact with the French, is delimited in the peninsular area of Alc\u00e2ntara, on the border with the \u201cWhite Settlement\u201d which connects the peninsula to the continent. At this point, the colonial city advances and retreats in the historical conflict with the original and black populations that entrenched themselves.<\/p>\n\n\n\n<p>The premeditated expansion of this colonial city threatens the biomes and alternative lifestyles with the ever-expanding practices of sugar and cotton monoculture and the maintenance of the slaveholder regime \u2013 which remains in place to this day. Between the settlements of the whites and the Tapuitapera, there is a radical conflict of thought and worldviews.<\/p>\n\n\n\n<p>Anacleta Pires da Silva, the leader of the quilombo Santa Rosa dos Pretos, in Itapecuru-Mirim, says that, in order to resist in the quilombos, it is necessary to understand the territory as a body, not as separate allotments, separating the head from the limbs. What happens today in Alc\u00e2ntara is a genocide, part of a policy of extermination of quilombola territories cut by the BR-135 highway, by soybean plantations, by the railroad \u2013 the destruction of life, consumed by capital.<\/p>\n\n\n\n<p>Imagining another future, using memory as a weapon of war, Viana\u2019s collages provoke a distortion of scene, a mirroring. Her noisy observations mix the colonial structure, worn out by time, scoured by the sea mist, and the advance of nature; in these images, history seems to encompass the polyphony of a party. The clipping of Tapuitapera photographs opens tracks all around the forest, which resurges with a historical force and vital resistance. When the forest advances, we understand that nature takes care of itself. The narrative of this biome, with its whistles, buzzes, the various subjects and sounds, tells that, above the ruins of the village of the whites, Tapuitapera lives.<\/p>\n\n\n\n<p>The green washes over both black and white; the taperas [ruined dwellings] surrounding the central courtyard of a village; the golden emerald of jewels, the palace of Ina, Princess of the Waters, at the bottom of the sea; the hands on the waist calling the punga, the circle of Creole drums, in which everyone plays. In the dream, the vision of the campfire, celebration of St. Benedict, the search for the Mast of the Divine in the mangrove forest, the shine of pindoba [a kind of palm tree] straw mats and the Crown of the Empire. Children of fish, of birds, it is as if we have heard the river Tapuitapera, the wind, the birds as part of this whole.<\/p>\n\n\n\n<p>The dam from Viana\u2019s work irrigates \u2013 brings to life \u2013 different resistance policies agreed by the communities, in their rituals, their festivals and internal organizations, which draw an alternative intelligence to the colonial models. We can make up the collages as the brackish and cloudy water of the Tapuitapera mangroves, through which one cannot really see the bottom. These images hold a precious quality of mystery.<\/p>\n\n\n\n<p>While our flattered eyes fill with tears at the image of the Pelourinho, the CLA rockets and the colonial town houses, wishing for the collapse of these structures, Viana macerates the photographic archive devoured by termites, calling the land at the great time, asking for protection for the mother from whom we came. \/\/\/<\/p>\n\n\n\n<p>Images: courtesy of the artist and Galeria Superf\u00edcie.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Dinho Ara\u00fajo<\/strong> (Pinheiro, Maranh\u00e3o, 1985) is a visual artist and holds a master\u2019s degree in anthropology from the Federal University of Para\u00edba (UFPB). He was curator of the exhibition <em>Caminho de Muri\u00e1 para brocar a terra<\/em><\/p>\n\n\n\n[Muri\u00e1\u2019s path to drill the earth] (2021), by G\u00ea Viana, at the Historical and Artistic Museum of Maranh\u00e3o (MHAM).<\/p>\n\n\n\n<p><strong>G\u00ea Viana<\/strong> (Santa Luzia do Tide, Maranh\u00e3o, 1986) is a photographer, performer and researcher. She presented the exhibitions <em>Retirar o sol das cabe\u00e7as, uma reza das imagens<\/em> [removing the sun from heads, a prayer of images] (2022), at Galeria Superf\u00edcie, in S\u00e3o Paulo, SP, and <em>Paridade<\/em> [parity], at Sesc in S\u00e3o Lu\u00eds, Maranh\u00e3o (2017). She was a resident of the Pampulha Fellowship in 2018-2019.<br><\/p>\n\n\n\n<p>CAPTIONS AND CREDITS OF PHOTOGRAPHS USED IN THE COLLAGES: p. 27: Workers opening up a road \/ Collection of the Parish of Saint Matthias. p. 28: Mirititiua Fountain. p. 29: Workers opening up a road \/ Collection of the Parish of Saint Matthias. p. 30: Canadian priests visiting Igua\u00edba, Our Lady of F\u00e1tima Chapel (1956). p. 31: Farm workers\u2019 manifesto (1986) \/ O Imparcial newspaper archive. p. 32: Assembly of the Mecb [Complete Brazilian Space Mission] satellite model \/ Archive of the Institute of Space Research \u2013 INPE. p. 33, above: Path to the Mirititiua Fountain (1939), by R. Lopes \/ Sphan Archive; below: Village waits in its new facilities (1986), by Jos\u00e9 Anselmo da Silva. p. 34: Mirititiua Street [Mirititiua] \/ Collection of the Parish of Saint Matthias. p. 35: Village of Ponta da Areia \/ Collection of the Parish of Saint Matthias. p. 36, above: Aerial view of the airport and NUCLA (Implantation Core of the Alc\u00e2ntara Rocket Launch Center) \/ Andrade Gutierrez; center: Aerial view of Pra\u00e7a da Matriz (1985) \/ Andrade Gutierrez; below: Aerial view of the Porto do Jacar\u00e9 (1974) \/ Sphan Archive \u2013 Pro-Memory. p. 37: Itamatatiua \u2013 Saint Tereza Festivities (1957) \/ Collection of the Parish of Saint Matthias.<br><br><br><br><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Details of the jewels on the fingers, nails are spear tips. Closed fists clasp on the waist asking for equality. Let the high point be a dimension of energy favorable to us to break down and bring down greedy rockets. They do not go up, they turn into iron embers. At the great time they [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":51871,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[2346],"tags":[2347,2348,1716,1701,2349],"coauthors":[2297,2298,1816],"class_list":["post-52845","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-revista-zum-25-en","tag-colagem-fotografica-en","tag-etnografia-en","tag-fotografia-en","tag-fotografia-contemporanea-en","tag-zum-25-en"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The great time - ZUM<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/revistazum.com.br\/en\/revista-zum-25-en\/hora-grande\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The great time - ZUM\" \/>\n<meta property=\"og:description\" content=\"Details of the jewels on the fingers, nails are spear tips. 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