{"id":41590,"date":"2018-04-04T18:07:44","date_gmt":"2018-04-04T21:07:44","guid":{"rendered":"https:\/\/revistazum.com.br\/wp-content\/uploads\/2018\/04\/ngoandtruong_detail_twoframe.jpg"},"modified":"2022-06-01T17:23:46","modified_gmt":"2022-06-01T20:23:46","slug":"ngoandtruong_detail_twoframe-2","status":"inherit","type":"attachment","link":"https:\/\/revistazum.com.br\/en\/zum-magazine-5\/pablo-escobar-the-album\/attachment\/ngoandtruong_detail_twoframe-2\/","title":{"rendered":"A dupla H\u01b0\u01a1ng Ng\u00f4 (EUA, nascida em Hong Kong, 1979) e H\u1ed3ng-\u01b0\u01a1n Tr\u01b0\u01a1ng (EUA, 1976) em seu trabalho colaborativo <em>O oposto de olhar n\u00e3o \u00e9 invisibilidade. O oposto do amarelo n\u00e3o \u00e9 ouro<\/em> (2016) exploram seus pr\u00f3prios \u00e1lbuns de fam\u00edlia, que imigraram para os EUA do Vietn\u00e3 na d\u00e9cada de 1970. Os artistas combinaram as fotografias com trechos de transcri\u00e7\u00f5es de audi\u00eancias no Congresso dos EUA sobre refugiados vietnamitas, definindo termos como &#8220;estrangeiros&#8221; ou &#8220;ilegais&#8221;. H\u01b0\u01a1ng Ng\u00f4 e H\u1ed3ng-\u00c2n Tr\u01b0\u01a1ng. <em>The opposite of looking is not invisibility. The opposite of yellow is not gold (detalhe)<\/em>. 2016. Cortesia dos artistas. Foto: Jerry Mann \u00a9 2018 Huong Ngo e Hong-An Truong"},"author":13,"featured_media":0,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0},"class_list":["post-41590","attachment","type-attachment","status-inherit","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>A dupla H\u01b0\u01a1ng Ng\u00f4 (EUA, nascida em Hong Kong, 1979) e H\u1ed3ng-\u01b0\u01a1n Tr\u01b0\u01a1ng (EUA, 1976) em seu trabalho colaborativo O oposto de olhar n\u00e3o \u00e9 invisibilidade. O oposto do amarelo n\u00e3o \u00e9 ouro (2016) exploram seus pr\u00f3prios \u00e1lbuns de fam\u00edlia, que imigraram para os EUA do Vietn\u00e3 na d\u00e9cada de 1970. Os artistas combinaram as fotografias com trechos de transcri\u00e7\u00f5es de audi\u00eancias no Congresso dos EUA sobre refugiados vietnamitas, definindo termos como &quot;estrangeiros&quot; ou &quot;ilegais&quot;. H\u01b0\u01a1ng Ng\u00f4 e H\u1ed3ng-\u00c2n Tr\u01b0\u01a1ng. The opposite of looking is not invisibility. The opposite of yellow is not gold (detalhe). 2016. Cortesia dos artistas. Foto: Jerry Mann \u00a9 2018 Huong Ngo e Hong-An Truong - ZUM<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/revistazum.com.br\/wp-content\/uploads\/2018\/04\/ngoandtruong_detail_twoframe.jpg\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"A dupla H\u01b0\u01a1ng Ng\u00f4 (EUA, nascida em Hong Kong, 1979) e H\u1ed3ng-\u01b0\u01a1n Tr\u01b0\u01a1ng (EUA, 1976) em seu trabalho colaborativo O oposto de olhar n\u00e3o \u00e9 invisibilidade. O oposto do amarelo n\u00e3o \u00e9 ouro (2016) exploram seus pr\u00f3prios \u00e1lbuns de fam\u00edlia, que imigraram para os EUA do Vietn\u00e3 na d\u00e9cada de 1970. Os artistas combinaram as fotografias com trechos de transcri\u00e7\u00f5es de audi\u00eancias no Congresso dos EUA sobre refugiados vietnamitas, definindo termos como &quot;estrangeiros&quot; ou &quot;ilegais&quot;. H\u01b0\u01a1ng Ng\u00f4 e H\u1ed3ng-\u00c2n Tr\u01b0\u01a1ng. The opposite of looking is not invisibility. The opposite of yellow is not gold (detalhe). 2016. Cortesia dos artistas. Foto: Jerry Mann \u00a9 2018 Huong Ngo e Hong-An Truong - ZUM\" \/>\n<meta property=\"og:description\" content=\"A dupla H\u01b0\u01a1ng Ng\u00f4 (EUA, nascida em Hong Kong, 1979) e H\u1ed3ng-\u01b0\u01a1n Tr\u01b0\u01a1ng (EUA, 1976) em seu trabalho colaborativo O oposto de olhar n\u00e3o \u00e9 invisibilidade. O oposto do amarelo n\u00e3o \u00e9 ouro (2016) exploram seus pr\u00f3prios \u00e1lbuns de fam\u00edlia, que imigraram para os EUA do Vietn\u00e3 na d\u00e9cada de 1970. Os artistas combinaram as fotografias com trechos de transcri\u00e7\u00f5es de audi\u00eancias no Congresso dos EUA sobre refugiados vietnamitas, definindo termos como &quot;estrangeiros&quot; ou &quot;ilegais&quot;. H\u01b0\u01a1ng Ng\u00f4 e H\u1ed3ng-\u00c2n Tr\u01b0\u01a1ng. The opposite of looking is not invisibility. The opposite of yellow is not gold (detalhe). 2016. Cortesia dos artistas. Foto: Jerry Mann \u00a9 2018 Huong Ngo e Hong-An Truong\" \/>\n<meta property=\"og:url\" content=\"https:\/\/revistazum.com.br\/wp-content\/uploads\/2018\/04\/ngoandtruong_detail_twoframe.jpg\" \/>\n<meta property=\"og:site_name\" content=\"ZUM\" \/>\n<meta property=\"article:modified_time\" content=\"2022-06-01T20:23:46+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/revistazum.com.br\/wp-content\/uploads\/2018\/04\/ngoandtruong_detail_twoframe.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2048\" \/>\n\t<meta property=\"og:image:height\" content=\"973\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Revista ZUM\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/revistazum.com.br\\\/wp-content\\\/uploads\\\/2018\\\/04\\\/ngoandtruong_detail_twoframe.jpg\",\"url\":\"https:\\\/\\\/revistazum.com.br\\\/wp-content\\\/uploads\\\/2018\\\/04\\\/ngoandtruong_detail_twoframe.jpg\",\"name\":\"A dupla H\u01b0\u01a1ng Ng\u00f4 (EUA, nascida em Hong Kong, 1979) e H\u1ed3ng-\u01b0\u01a1n Tr\u01b0\u01a1ng (EUA, 1976) em seu trabalho colaborativo O oposto de olhar n\u00e3o \u00e9 invisibilidade. 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O oposto do amarelo n\u00e3o \u00e9 ouro (2016) exploram seus pr\u00f3prios \u00e1lbuns de fam\u00edlia, que imigraram para os EUA do Vietn\u00e3 na d\u00e9cada de 1970. Os artistas combinaram as fotografias com trechos de transcri\u00e7\u00f5es de audi\u00eancias no Congresso dos EUA sobre refugiados vietnamitas, definindo termos como \"estrangeiros\" ou \"ilegais\". H\u01b0\u01a1ng Ng\u00f4 e H\u1ed3ng-\u00c2n Tr\u01b0\u01a1ng. The opposite of looking is not invisibility. The opposite of yellow is not gold (detalhe). 2016. Cortesia dos artistas. 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Cortesia dos artistas. Foto: Jerry Mann \u00a9 2018 Huong Ngo e Hong-An Truong","og_url":"https:\/\/revistazum.com.br\/wp-content\/uploads\/2018\/04\/ngoandtruong_detail_twoframe.jpg","og_site_name":"ZUM","article_modified_time":"2022-06-01T20:23:46+00:00","og_image":[{"width":2048,"height":973,"url":"https:\/\/revistazum.com.br\/wp-content\/uploads\/2018\/04\/ngoandtruong_detail_twoframe.jpg","type":"image\/jpeg"}],"twitter_card":"summary_large_image","twitter_misc":{"Written by":"Revista ZUM"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/revistazum.com.br\/wp-content\/uploads\/2018\/04\/ngoandtruong_detail_twoframe.jpg","url":"https:\/\/revistazum.com.br\/wp-content\/uploads\/2018\/04\/ngoandtruong_detail_twoframe.jpg","name":"A dupla H\u01b0\u01a1ng Ng\u00f4 (EUA, nascida em Hong Kong, 1979) e H\u1ed3ng-\u01b0\u01a1n Tr\u01b0\u01a1ng (EUA, 1976) em seu trabalho colaborativo O oposto de olhar n\u00e3o \u00e9 invisibilidade. 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O oposto do amarelo n\u00e3o \u00e9 ouro (2016) exploram seus pr\u00f3prios \u00e1lbuns de fam\u00edlia, que imigraram para os EUA do Vietn\u00e3 na d\u00e9cada de 1970. Os artistas combinaram as fotografias com trechos de transcri\u00e7\u00f5es de audi\u00eancias no Congresso dos EUA sobre refugiados vietnamitas, definindo termos como &#8220;estrangeiros&#8221; ou &#8220;ilegais&#8221;. H\u01b0\u01a1ng Ng\u00f4 e H\u1ed3ng-\u00c2n Tr\u01b0\u01a1ng. The opposite of looking is not invisibility. The opposite of yellow is not gold (detalhe). 2016. Cortesia dos artistas. 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Os artistas combinaram as fotografias com trechos de transcri\u00e7\u00f5es de audi\u00eancias no Congresso dos EUA sobre refugiados vietnamitas, definindo termos como &quot;estrangeiros&quot; ou &quot;ilegais&quot;. H\u01b0\u01a1ng Ng\u00f4 e H\u1ed3ng-\u00c2n Tr\u01b0\u01a1ng. &lt;em&gt;The opposite of looking is not invisibility. The opposite of yellow is not gold (detalhe)&lt;\/em&gt;. 2016. Cortesia dos artistas. Foto: Jerry Mann \u00a9 2018 Huong Ngo e Hong-An Truong\" href=\"https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2018\/04\/ngoandtruong_detail_twoframe.jpg?ssl=1\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"143\" src=\"https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2018\/04\/ngoandtruong_detail_twoframe.jpg?fit=300%2C143&amp;ssl=1\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2018\/04\/ngoandtruong_detail_twoframe.jpg?w=2048&amp;ssl=1 2048w, https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2018\/04\/ngoandtruong_detail_twoframe.jpg?resize=300%2C143&amp;ssl=1 300w, https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2018\/04\/ngoandtruong_detail_twoframe.jpg?resize=768%2C365&amp;ssl=1 768w, https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2018\/04\/ngoandtruong_detail_twoframe.jpg?resize=1024%2C487&amp;ssl=1 1024w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" data-attachment-id=\"41590\" data-permalink=\"https:\/\/revistazum.com.br\/en\/zum-magazine-5\/pablo-escobar-the-album\/attachment\/ngoandtruong_detail_twoframe-2\/\" data-orig-file=\"https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2018\/04\/ngoandtruong_detail_twoframe.jpg?fit=2048%2C973&amp;ssl=1\" data-orig-size=\"2048,973\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"A dupla H\u01b0\u01a1ng Ng\u00f4 (EUA, nascida em Hong Kong, 1979) e H\u1ed3ng-\u01b0\u01a1n Tr\u01b0\u01a1ng (EUA, 1976) em seu trabalho colaborativo &lt;em&gt;O oposto de olhar n\u00e3o \u00e9 invisibilidade. O oposto do amarelo n\u00e3o \u00e9 ouro&lt;\/em&gt; (2016) exploram seus pr\u00f3prios \u00e1lbuns de fam\u00edlia, que imigraram para os EUA do Vietn\u00e3 na d\u00e9cada de 1970. Os artistas combinaram as fotografias com trechos de transcri\u00e7\u00f5es de audi\u00eancias no Congresso dos EUA sobre refugiados vietnamitas, definindo termos como &amp;#8220;estrangeiros&amp;#8221; ou &amp;#8220;ilegais&amp;#8221;. H\u01b0\u01a1ng Ng\u00f4 e H\u1ed3ng-\u00c2n Tr\u01b0\u01a1ng. &lt;em&gt;The opposite of looking is not invisibility. The opposite of yellow is not gold (detalhe)&lt;\/em&gt;. 2016. Cortesia dos artistas. Foto: Jerry Mann \u00a9 2018 Huong Ngo e Hong-An Truong\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;A dupla H\u01b0\u01a1ng Ng\u00f4 (EUA, nascida em Hong Kong, 1979) e H\u1ed3ng-\u01b0\u01a1n Tr\u01b0\u01a1ng (EUA, 1976) em seu trabalho colaborativo &lt;em&gt;O oposto de olhar n\u00e3o \u00e9 invisibilidade. O oposto do amarelo n\u00e3o \u00e9 ouro&lt;\/em&gt; (2016) exploram seus pr\u00f3prios \u00e1lbuns de fam\u00edlia, que imigraram para os EUA do Vietn\u00e3 na d\u00e9cada de 1970. Os artistas combinaram as fotografias com trechos de transcri\u00e7\u00f5es de audi\u00eancias no Congresso dos EUA sobre refugiados vietnamitas, definindo termos como &amp;#8220;estrangeiros&amp;#8221; ou &amp;#8220;ilegais&amp;#8221;. H\u01b0\u01a1ng Ng\u00f4 e H\u1ed3ng-\u00c2n Tr\u01b0\u01a1ng. &lt;em&gt;The opposite of looking is not invisibility. The opposite of yellow is not gold (detalhe)&lt;\/em&gt;. 2016. Cortesia dos artistas. Foto: Jerry Mann \u00a9 2018 Huong Ngo e Hong-An Truong&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2018\/04\/ngoandtruong_detail_twoframe.jpg?fit=1024%2C487&amp;ssl=1\" \/><\/a><\/p>\n"},"caption":{"rendered":"<p>A dupla H\u01b0\u01a1ng Ng\u00f4 (EUA, nascida em Hong Kong, 1979) e H\u1ed3ng-\u01b0\u01a1n Tr\u01b0\u01a1ng (EUA, 1976) em seu trabalho colaborativo <em>O oposto de olhar n\u00e3o \u00e9 invisibilidade. O oposto do amarelo n\u00e3o \u00e9 ouro<\/em> (2016) exploram seus pr\u00f3prios \u00e1lbuns de fam\u00edlia, que imigraram para os EUA do Vietn\u00e3 na d\u00e9cada de 1970. Os artistas combinaram as fotografias com trechos de transcri\u00e7\u00f5es de audi\u00eancias no Congresso dos EUA sobre refugiados vietnamitas, definindo termos como &#8220;estrangeiros&#8221; ou &#8220;ilegais&#8221;. H\u01b0\u01a1ng Ng\u00f4 e H\u1ed3ng-\u00c2n Tr\u01b0\u01a1ng. <em>The opposite of looking is not invisibility. The opposite of yellow is not gold (detalhe)<\/em>. 2016. Cortesia dos artistas. Foto: Jerry Mann \u00a9 2018 Huong Ngo e Hong-An Truong<\/p>\n"},"alt_text":"","media_type":"image","mime_type":"image\/jpeg","media_details":{"width":2048,"height":973,"file":"2018\/04\/ngoandtruong_detail_twoframe.jpg","sizes":{"thumbnail":{"file":"ngoandtruong_detail_twoframe-150x150.jpg","width":150,"height":150,"mime_type":"image\/jpeg","source_url":"https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2018\/04\/ngoandtruong_detail_twoframe.jpg?resize=150%2C150&ssl=1"},"medium":{"file":"ngoandtruong_detail_twoframe-300x143.jpg","width":300,"height":143,"mime_type":"image\/jpeg","source_url":"https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2018\/04\/ngoandtruong_detail_twoframe.jpg?fit=300%2C143&ssl=1"},"medium_large":{"file":"ngoandtruong_detail_twoframe-768x365.jpg","width":768,"height":365,"mime_type":"image\/jpeg","source_url":"https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2018\/04\/ngoandtruong_detail_twoframe.jpg?fit=768%2C365&ssl=1"},"large":{"file":"ngoandtruong_detail_twoframe-1024x487.jpg","width":1024,"height":487,"mime_type":"image\/jpeg","source_url":"https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2018\/04\/ngoandtruong_detail_twoframe.jpg?fit=1024%2C487&ssl=1"},"destaque":{"file":"ngoandtruong_detail_twoframe-705x510.jpg","width":705,"height":510,"mime_type":"image\/jpeg","source_url":"https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2018\/04\/ngoandtruong_detail_twoframe.jpg?resize=705%2C510&ssl=1"},"thumbs-small":{"file":"ngoandtruong_detail_twoframe-220x190.jpg","width":220,"height":190,"mime_type":"image\/jpeg","source_url":"https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2018\/04\/ngoandtruong_detail_twoframe.jpg?resize=220%2C190&ssl=1"},"thumbs-home":{"file":"ngoandtruong_detail_twoframe-220x275.jpg","width":220,"height":275,"mime_type":"image\/jpeg","source_url":"https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2018\/04\/ngoandtruong_detail_twoframe.jpg?resize=220%2C275&ssl=1"},"thumbs-medium":{"file":"ngoandtruong_detail_twoframe-460x330.jpg","width":460,"height":330,"mime_type":"image\/jpeg","source_url":"https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2018\/04\/ngoandtruong_detail_twoframe.jpg?resize=460%2C330&ssl=1"},"thumbs-medium2":{"file":"ngoandtruong_detail_twoframe-460x275.jpg","width":460,"height":275,"mime_type":"image\/jpeg","source_url":"https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2018\/04\/ngoandtruong_detail_twoframe.jpg?resize=460%2C275&ssl=1"},"thumbs-vertical":{"file":"ngoandtruong_detail_twoframe-220x275.jpg","width":220,"height":275,"mime_type":"image\/jpeg","source_url":"https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2018\/04\/ngoandtruong_detail_twoframe.jpg?resize=220%2C275&ssl=1"},"sumarios":{"file":"ngoandtruong_detail_twoframe-940x425.jpg","width":940,"height":425,"mime_type":"image\/jpeg","source_url":"https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2018\/04\/ngoandtruong_detail_twoframe.jpg?resize=940%2C425&ssl=1"},"post":{"file":"ngoandtruong_detail_twoframe-620x415.jpg","width":620,"height":415,"mime_type":"image\/jpeg","source_url":"https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2018\/04\/ngoandtruong_detail_twoframe.jpg?resize=620%2C415&ssl=1"},"revista-zum":{"file":"ngoandtruong_detail_twoframe-470x340.jpg","width":470,"height":340,"mime_type":"image\/jpeg","source_url":"https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2018\/04\/ngoandtruong_detail_twoframe.jpg?resize=470%2C340&ssl=1"},"revista-home":{"file":"ngoandtruong_detail_twoframe-223x277.jpg","width":223,"height":277,"mime_type":"image\/jpeg","source_url":"https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2018\/04\/ngoandtruong_detail_twoframe.jpg?resize=223%2C277&ssl=1"},"wp_rp_thumbnail":{"file":"ngoandtruong_detail_twoframe-150x150.jpg","width":150,"height":150,"mime_type":"image\/jpeg","source_url":"https:\/\/revistazum.com.br\/wp-content\/uploads\/2018\/04\/ngoandtruong_detail_twoframe-150x150.jpg"},"full":{"file":"ngoandtruong_detail_twoframe.jpg?fit=2048%2C973&ssl=1","width":2048,"height":973,"mime_type":"image\/jpeg","source_url":"https:\/\/i0.wp.com\/revistazum.com.br\/wp-content\/uploads\/2018\/04\/ngoandtruong_detail_twoframe.jpg?fit=2048%2C973&ssl=1"}},"image_meta":{"aperture":"0","credit":"","camera":"","caption":"","created_timestamp":"0","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"","orientation":"0","keywords":[]}},"post":45684,"source_url":"https:\/\/revistazum.com.br\/wp-content\/uploads\/2018\/04\/ngoandtruong_detail_twoframe.jpg","_links":{"self":[{"href":"https:\/\/revistazum.com.br\/en\/wp-json\/wp\/v2\/media\/41590","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistazum.com.br\/en\/wp-json\/wp\/v2\/media"}],"about":[{"href":"https:\/\/revistazum.com.br\/en\/wp-json\/wp\/v2\/types\/attachment"}],"author":[{"embeddable":true,"href":"https:\/\/revistazum.com.br\/en\/wp-json\/wp\/v2\/users\/1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