{"version":"1.0","provider_name":"ZUM","provider_url":"https:\/\/revistazum.com.br\/en\/","author_name":"Revista ZUM","author_url":"https:\/\/revistazum.com.br\/en\/author\/carlos-franco\/","title":"Where Did The Slave Quarters Go? - ZUM","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"Gne8wJOiji\"><a href=\"https:\/\/revistazum.com.br\/en\/zum-magazine-7\/where-did-the-slave-quarters-go\/\">Where Did The Slave Quarters Go?<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/revistazum.com.br\/en\/zum-magazine-7\/where-did-the-slave-quarters-go\/embed\/#?secret=Gne8wJOiji\" width=\"600\" height=\"338\" title=\"&#8220;Where Did The Slave Quarters Go?&#8221; &#8212; ZUM\" data-secret=\"Gne8wJOiji\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/revistazum.com.br\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/revistazum.com.br\/wp-content\/uploads\/2015\/02\/yvonneft.jpg","thumbnail_width":800,"thumbnail_height":571,"description":"The new Brazilian edition of Gilberto Freyre\u2019s classic book removed the slave quarters and the black slaves from its cover. Intrigued by the change, the history professor MAURICIO LISSOVSKY shows how the old slave quarters have lost their meaning of oppression and cruelty to become a place of enjoyment. The result of these shifts is [&hellip;]"}