{"version":"1.0","provider_name":"ZUM","provider_url":"https:\/\/revistazum.com.br\/en\/","author_name":"Revista ZUM","author_url":"https:\/\/revistazum.com.br\/en\/author\/carlos-franco\/","title":"Epidermic scapes - ZUM","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"YU5fBoGVD7\"><a href=\"https:\/\/revistazum.com.br\/en\/revista-zum-27-en\/paisagens-epidermicas\/\">Epidermic scapes<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/revistazum.com.br\/en\/revista-zum-27-en\/paisagens-epidermicas\/embed\/#?secret=YU5fBoGVD7\" width=\"600\" height=\"338\" title=\"&#8220;Epidermic scapes&#8221; &#8212; ZUM\" data-secret=\"YU5fBoGVD7\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/revistazum.com.br\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/revistazum.com.br\/wp-content\/uploads\/2024\/11\/23peq-vert.png","thumbnail_width":1200,"thumbnail_height":849,"description":"Vera Chaves Barcellos is a crucial figure in Brazilian contemporary art, with a long journey of experimentation and exploration of the limits of the photographic language and reproducible image. One of the most paradigmatic works of her career is the series Epidermic Scapes, developed between 1977 and 1982 \u2013 a period in which the artist [&hellip;]"}