{"version":"1.0","provider_name":"ZUM","provider_url":"https:\/\/revistazum.com.br\/en\/","author_name":"Revista ZUM","author_url":"https:\/\/revistazum.com.br\/en\/author\/carlos-franco\/","title":"Beyond the exotic - ZUM","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"jv3IUAVuwG\"><a href=\"https:\/\/revistazum.com.br\/en\/revista-zum-14\/alem-do-exotico\/\">Beyond the exotic<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/revistazum.com.br\/en\/revista-zum-14\/alem-do-exotico\/embed\/#?secret=jv3IUAVuwG\" width=\"600\" height=\"338\" title=\"&#8220;Beyond the exotic&#8221; &#8212; ZUM\" data-secret=\"jv3IUAVuwG\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/revistazum.com.br\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/revistazum.com.br\/wp-content\/uploads\/2018\/07\/destaque2.jpg","thumbnail_width":800,"thumbnail_height":575,"description":"A traveller who hated travelling, Claude L\u00e9vi-Strauss begins Tristes tropiques (1955) by ironizing the importance that is usually given to banal passages in explorers\u2019 stories. He follows this with acidic comments about the heat of boats, children and beetroots. The tuber is used as a metaphor to represent the massification of 20th century civilizations. \u201cMankind [&hellip;]"}