1.0ZUMhttps://revistazum.com.br/en/rich600338<blockquote class="wp-embedded-content" data-secret="AOqNyLW0PT"><a href="https://revistazum.com.br/en/sumarios/summary-10/">Summary 10</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://revistazum.com.br/en/sumarios/summary-10/embed/#?secret=AOqNyLW0PT" width="600" height="338" title="“Summary 10” — ZUM" data-secret="AOqNyLW0PT" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /* <![CDATA[ */ /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://revistazum.com.br/wp-includes/js/wp-embed.min.js /* ]]> */ </script> TO CELEBRATE its tenth edition, ZUM presents both new and historical photo essays, in addition to texts written especially for the magazine. In an outstanding example of historical review, Professor Andreas Valentin revisits the work of José Oiticica Filho, who joined his scientific and artistic knowledge to challenge the experiment between reality and photography. Tatewaki Nio, […]