1.0ZUMhttps://revistazum.com.br/en/Revista ZUMhttps://revistazum.com.br/en/author/carlos-franco/Black power - ZUMrich600338<blockquote class="wp-embedded-content" data-secret="3w0MdvKFAm"><a href="https://revistazum.com.br/en/revista-zum-22-2/black-power/">Black power</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://revistazum.com.br/en/revista-zum-22-2/black-power/embed/#?secret=3w0MdvKFAm" width="600" height="338" title="“Black power” — ZUM" data-secret="3w0MdvKFAm" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript">
/* <![CDATA[ */
/*! This file is auto-generated */
!function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document);
//# sourceURL=https://revistazum.com.br/wp-includes/js/wp-embed.min.js
/* ]]> */
</script>
https://revistazum.com.br/wp-content/uploads/2022/06/00016_1200.png1200792A black man who records his peers with a camera is a conquest. The under representation of Brazilian Black art in collections, museums, galleries, festivals, exhibitions, publications, and curatorial projects is evidence that the work of white Brazilians continues to dominate the visual arts. If this Black guy is the son of a laundress and […]