1.0ZUMhttps://revistazum.com.br/en/Revista ZUMhttps://revistazum.com.br/en/author/carlos-franco/rich600338<blockquote class="wp-embedded-content" data-secret="xCzi6aZnYh"><a href="https://revistazum.com.br/en/revista-zum-19/violenta-geometria/">Violent geometry</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://revistazum.com.br/en/revista-zum-19/violenta-geometria/embed/#?secret=xCzi6aZnYh" width="600" height="338" title="“Violent geometry” — ZUM" data-secret="xCzi6aZnYh" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /* <![CDATA[ */ /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://revistazum.com.br/wp-includes/js/wp-embed.min.js /* ]]> */ </script> https://revistazum.com.br/wp-content/uploads/2021/02/destaque-01.png1200800In the second half of the 19th century, photographic studies of Imperial Brazil left us with images which allow us to get to know the faces of children, men, and women who lived under the yoke of slavery. The photographic records of humans of African descent taken at that time have been investigated by a […]